Soul Jazz Records Future Bass Rarest
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Artist Various Title Soul Jazz Records: Future Bass Label Soul Jazz Format 3xLP, CD Future Bass is the sound of right now, all new music, all exclusives. Compiled by Soul Jazz A&R Nicole McKenzie with the assistance of Deep Medi Muzik’s Kris Jones, it’s a comprehensive induction into the many strands of music that have splintered out of dubstep in recent times. The preceding vinyl sampler consisting of Mala and Four Tet will have set the tone for what unfurls on this selection. The contrast between the more traditionalist melodica heavy steppas riddim of Mala’s “Don’t Let Go” and Four Tet’s “Nothing To See”, a nine minute organic sounding house groove is echoed in the tracks that follow after they open Future Bass. For example, Hemlock’s Untold, no stranger to Soul Jazz, follows with the glacial future retro electro funk of “Fly Girls” which sounds a world apart from Coki’s “Ransom”, a track that delights with its rusted bass twists and jack hammer half step crunch. Somewhere in-between there are tracks such as “Bass Music” from vinyl fetishist Ramadanman, which mutates superbly from a descending spiral of woozy vocal edits wrapped around typically crisp syncopation into an all encompassing low end thrust. Space is made too for rising producers with tracks from V.I.V.E.K, Distal and Randomer.
The latter’s “Puzzled” provides one of the many highlights here, with a Gameboy melody expertly shifted around by the menacing bass patterns and layers of metallic percussion. Special mention is reserved for “Air” a track from Kevin Martin’s new project Black Chow. A dizzying combination of narcotic torch dub atmospherics and Kiki Hitomi’s cavernous spectral vocals make for a truly captivating listen and proof enough of the potential for crafting songs within the admittedly expansive parameters of Future Bass.
Review Future Bass is the sound of right now, all new music, all exclusives. Compiled by Soul Jazz A&R Nicole Kenzie and Deep Medi Muzik's Kris Jones it's a comprehensive induction into the many strands of music that have splintered out of dubstep in recent times. Tracks from Mala and Four Tet which were included on the preceding sampler open this selection and set the tone for what follows. The melodica heavy steppas riddim of Mala's 'Don't Let Go' form a perfect contrast to the nine minute organic house groove of Hebden's 'Nothing To See'. In addition, new tracks from artists with a close affiliation with Soul Jazz deliver more highlights, with Untold's 'Fly Girls' a brilliantly icy take on brand retro electro funk. Data Flow Diagram Visio Download. Vinyl fetishist Ramadanman contributes a truly unique 4 minutes and 44 seconds of aural delight in 'Bass Music' which descends from a spiral of heavily effected vocal edits over crisp syncopation into an all encompassing low end thrust. Space is also made for the new school with tracks from producers such as V.I.V.E.K, Distal and Randomer.